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Contact

Contact Yek Nava

The one inbox Yek Nava uses, what to put in a message so it gets answered fast, and the requests we have to turn down.

If you need to reach Yek Nava, this page has everything you need. Most messages are about something we published on game soundtracks, rhythm games, learning music and listening, a correction or a follow up question, and those are the ones we turn around fastest.

The inbox

[email protected]

A single address, deliberately. Splitting it into support and sales and press inboxes would just mean three places for a message to get lost.

Who reads this

Whoever picks up your message has their name on articles here. We keep it that way so nobody can hide behind a shared support identity.

Working with us

Same inbox, and the word partnership in the subject helps it get found. Read what the editorial policy says about paid links before writing, because the answer is usually already there.

Corrections and complaints

Accuracy complaints jump the queue. Give us the sentence and the correction and skip the apology for complaining. The editorial policy explains what we do from there.

When you will hear back

Expect a reply inside a couple of working days for most things. Anything that needs verifying first runs slower, on the principle that a late answer beats a confident wrong one.

How to write a useful message

A precise message earns a precise reply, often the same day. A vague one waits while we write back to ask what you meant.

  • Open with the ask. A single line on what you want, before any history.
  • Link the page if the message concerns something we published, and quote the line that prompted it.
  • For anything broken, name the browser and the device, and attach a screenshot where one exists.

Where we have to say no

Some requests we simply cannot take. Chasing a company on your behalf, fixing an account we never issued, or ruling on a situation only you can see all fall outside what a publisher does. Yek Nava covers game soundtracks, rhythm games, learning music and listening in general, and the legal notice marks the boundary.